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PHOTO EXHIBIT - AFGHANISTAN, AN ERA OF PEACE

November 6, 2013

By Humaira

Today, even after 12 years of Afghanistan's "emancipation" from the Taliban, the only photos we see are of Taliban fighters, destruction and war. Oppression, lawlessness, corruption and hopelessness are associated with this central Asian country. 

After spending 3/4 of my life in the United States I had also forgotten the real Afghanistan that Joe Hoyt captures in his photos.

Six years ago, I met Joe when we were panelists at an event in San Francisco. I was brought to tears as I spent hours going from one photo to the next and really absorbing what I was seeing. They reminded me of the Afghanistan I once knew, "From an Era of Peace", so perfectly named. Joe captured these images during his five adventure filled trips to Afghanistan from 1970-1975.

Yes, there was a time when Afghans did not wake up to new bombings every day. They could travel without being shot at and they could send their children to school without fear.  Joe captures that time with elegance, honesty and love.  “Bus Top” is one of my favorite photos. It reminds me of my family road trips from Kabul to Ghazni when we passed the central bus stop on the outskirts of Kabul and saw colorful and intricately decorated buses all dolled up like brides waiting for their grooms to sweep them off their feet. 

As a little girl how I wished to ride on one of those buses rather than in our orange Volkswagen bug. In “Bus Top”, you can really see the joy in the passengers’ faces, perhaps the true essence of an Afghan: their need for independence, their stubbornness in doing things their way and their resilience. In each of these amazing photos, Joe depicts the peace, the freedom and the optimism that all Afghans shared at that time in history.

These photos are an artistic account of a time that should not be forgotten and a stark reminder for us, not to give up on Afghanistan and its people.

On November 13th, Joe’s photos will go on display at the beautiful Afghan Center at Kabul University. It is the first time Afghans in Afghanistan will view these photos. 

Joe’s photos have been exhibited in San Francisco, Fremont, San Jose and Belmont, California. Other locations in the U.S. include Miami, Aspen, and Easton, Maryland.  The photos have also visited Coventry in the UK and Calgary, Canada.

“Afghanistan - Images From An Era Of Peace”

50 black and white photographs from 1970 -1975

by Joseph Hoyt

November 12 - December 12th, 2013

Opening Reception - Hamed Mubarez and Jawad Jalali

Afghanistan Center at Kabul University

Kabul, Afghanistan

Open and free to the public

Exhibit Sponsors: Dupree Foundation and The Aga Khan Trust for Culture

I asked Joe to select five of his favorite photos from this exhibit. Each photo has a introduction by Joe and an accompanying Rumi poem translated by Coleman Barks.

Nineteen Boys

Nineteen Boys

Nineteen Boys – A great kids photo, but the back story is the essence. Otherwise a bunch of characters running the streets, behaving well and learning to read the Koran. Possibly the only book they’ll ever hold in their lives.

Rumi/Barks:

A swift stream never gets bored

with the fish that swim in it.

 Nor do those fish weary

of feeling the flow around them.

 No. This world loves its lovers,

and those lovers never tire of being

so dear and near what bears them along.

The Village of Lash-i-Jouayn

The Village of Lash-i-Jouayn

Village of Lash – e – Jouayn – An ancient and uber- mysterious place in the desert unlikely to ever be seen by any tourist. The town is located way past Farah in Nimruz Province.  I rode the bus out there.  

Rumi/Barks:

Find your place and close your eyes,

so your heart can start to see.

When you give up being self-absorbed,

your being becomes a great community.

Dusty Kabul Backstreet

Dusty Kabul Backstreet

Dusty Kabul Backstreet –The old and the new juxtaposed in the dark -- full of questions.

Rumi/Barks:

I wander through the towns of this world,

leaving them each to those in charge

of decorating them for festivals.

 Like a boat drifting on the ocean

with no set direction, one afternoon

resting in a caravanserai, that night,

starting out for somewhere else.

Stepping Stones

Stepping Stones

Stepping Stones – A frozen moment, one leg up another down.  Like a Cartier-Bresson, what a capture is meant to be, pure chance.

Rumi/Barks:

I love the soul that lets my soul

stay healthy, growing

like an orchard, a garden.

He brings symbols through me

to show the world.

Then at other times,

he clears my consciousness

to be transparent like himself.

Trees and clouds:C.Barks

Trees and clouds:C.Barks

Clouds and Poplars – Unlike all the others; this shows the solitude, grandeur and beauty of the natural aspects of Afghanistan.  A sole Afghan is walking the road to --- where?

Rumi/Barks:

This is how I would die

into the love I have for you:

as pieces of cloud

dissolve in sunlight.

All Rumi verses compliments of

and © Coleman Barks, All rights reserved.

Humaira Ghilzai of

Afghan Culture Unveiled interviews Joe Hoyt about this historical exhibit:

Humaira: What does it mean to you to have these photos exhibited in Afghanistan?

Joe:

This is an interesting opportunity to actually see what impact the images have

after all. Unlike in the west, photographs do not have an aspect to them where

they are viewed as art or have innate historical significance. 

Some of the most appreciative audiences have been Afghans living in the United

States. The thing is, the photos are likely to be viewed by individuals who

have not seen images of what their very own country was like before 35 plus

years of war and upheaval.  I’m sure some

aspects will seem more or less what they experience even today. 

As international forces are set to leave Afghanistan in

2014, I would hope the collection will help set the stage to engender ethnic

co-operation, pride in national identity, appreciation for the rich and

remarkable history of the nation the resilience of the Afghan people. 

Humaira: Why do you think there is so much interest in your

photos?  After all, over the past 12

years many new photographers and filmmakers have created beautiful work in

Afghanistan.  What intrigues people about

your photos?

Joe:

Clearly, mine are compelling because of the era – well before the nation was

overrun by the Russians and before the civil war, before the Taliban and before

foreign occupation. I am unaware of any other vintage collections from that time

period being toured around for exhibition.

But

the key factor is they are for the most part black and white.  They are riveting because they are personal,

they are honest, un-posed, they are candid and in the moment captures. All are in natural light and taken

one-on-one; perhaps it is even because they are naïve and unadorned. I was a 21

– 22 year old using my wits and, dare I say charm, to approach common people to

take their photos.  The trust shows in

the subject’s faces (most of the time anyway). You do not see the hollow-eyed

visages visible in so many images taken during the years of terror and fear.

Humaira: How did you go from creating the booklet to finding

exhibits around the U.S. and in Europe?

Joe: After San Francisco where we met, I came away encouraged the exhibition would

have wider interest, but had no idea how to go about marketing it.  I found a group specializing in traveling

photo exhibits and contracted with them. 

They booked some exhibits but I mostly arrange them myself. Some US

universities might be a good place.  And

I’d love to do an exhibit in DC and maybe San Francisco again!

Humaira: Tell us about your collaboration with Coleman Barks

(Rumi expert and student of Sufism) for this exhibit.

Joe: In May 2012, I sent a letter to Mr. Barks that included a

copy of my book.  I told him about my

photos, the intent of my work and so on. I asked if he might be interested in

and have time to match up some Rumi quatrains with my photos.

Six

months later I received a reply.  He

thought the photos were great, but did not have time.  He sent a copy of  The Big Red Book as a really nice gift.

Some

months later Coleman (we now use our first names) changed course and sent me

four quatrains! Some time went by – I received more!  Some unpublished verses!  I used them in an exhibit at the local museum

when the work was exhibited. 

You can see six of the

verses on my website. To date, I have received 16

verses selected to go along with certain photos.  The others will be posted soon. 

Exhibit contact:

Joseph Hoyt

imagesofafghanistan@gmail.com

http://www.imagesofafghanistan.com

In Books & Visual
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